Exploitation film Wikipedia. An exploitation film is a film that attempts to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low quality B movies. Even so, they sometimes attract critical attention and cult followings. Some of these films, such as Night of the Living Dead 1. HistoryeditExploitation films may feature suggestive or explicit sex, sensational violence, drug use, nudity, freaks, gore, the bizarre, destruction, rebellion, and mayhem. Such films were first seen in their modern form in the early 1. U. S. and Europe. The Motion Picture Association of America and the Motion Picture Producers and Distributors of America before it cooperated with censorship boards and grassroots organizations in the hope of preserving the image of a clean Hollywood, but the distributors of exploitation film operated outside of this circuit and often welcomed controversy as a form of free promotion. Their producers used sensational elements to attract audiences lost to television. Tropico 4 English Language Patch' title='Tropico 4 English Language Patch' />Since the 1. Exploitation is very loosely defined, and has more to do with the viewers perception of the film than with the films actual content. Titillating material and artistic content often coexist, as demonstrated by the fact that art films that failed to pass the Hays Code were often shown in the same grindhouses as exploitation films. Exploitation films share the fearlessness of acclaimed transgressive European directors such as Derek Jarman, Luis Buuel, and Jean Luc Godard in handling disreputable content. Many films recognized as classics contain levels of sex, violence, and shock typically associated with exploitation films examples are Stanley Kubricks A Clockwork Orange, Tod Brownings Freaks, and Roman Polanskis Repulsion. Buuels Un Chien Andalou contains elements of the modern splatter film. It has been suggested that if Carnival of Souls had been made in Europe, it would be considered an art film, while if Eyes Without a Face had been made in the U. S., it would have been categorized as a low budget horror film. The audiences of art and exploitation film are both considered to have tastes that reject the mainstream Hollywood offerings. Exploitation films have often exploited news events in the short term public consciousness that a major film studio may avoid because of the time required to produce a major film. Child Bride 1. 93. Ozarks. Other issues, such as drug use in films like Reefer Madness 1. With enough incentive, however, major studios might become involved, as Warner Bros. LSD, anti counterculture film The Big Cube. The film Sex Madness 1. Mom and Dad, a 1. She Shoulda Said No In the early days of film, when exploitation films relied on such sensational subjects as these, they had to present them from a very conservative moral viewpoint to avoid censorship, as movies then were not considered to enjoy First Amendment protection. Several war films were made about the Winter War in Finland, the Korean War, and the Vietnam War before the major studios showed interest. When Orson Welles radio production of The War of the Worlds from The Mercury Theatre on the Air for Halloween in 1. Americans and made news, Universal Pictures edited their serial Flash Gordons Trip to Mars into a short feature called Mars Attacks the World for release in November of that year. Some Poverty Row low budget B movies often exploit major studio projects. Their rapid production schedule allows them to take advantage of publicity attached to major studio films. For example, Edward L. TEAM website any other nosteam. NOTHING to do with usAlperson produced William Cameron Menzies film Invaders from Mars to beat Paramount Pictures production of director George Pals The War of the Worlds to the cinemas, and Pals The Time Machine was beaten to the cinemas by Edgar G. Ulmers film Beyond the Time Barrier. Heliocentric Astrology Software. Scegliere questo appartamento vuol dire trovarsi in un oasi di pace e tranquillit, immersi nel suggestivo paesaggio toscano. Scopri tutti i vincitori Campania. As a result, many major studios, producers, and stars keep their projects secret. Grindhouses and drive inseditGrindhouse is an American term for a theater that mainly showed exploitation films. It is thought to stem from the defunct burlesque theaters on 4. Street, New York, where bump n grind dancing and striptease used to be on the bill. In the 1. 96. 0s these theaters were put to new use as venues for exploitation films, a trend that continued strongly throughout the 1. New York City and other urban centers, mainly in North America, but began a long decline during the 1. As the drive in movie theater began to decline in the 1. One solution was to book exploitation films. Some producers from the 1. Many of them were violent action films that some called drive in films. SubgenreseditExploitation films may adopt the subject matter and styling of regular film genres, particularly horror films and documentary films, and their themes are sometimes influenced by other so called exploitative media, such as pulp magazines. They often blur the distinctions between genres by containing elements of two or more genres at a time. Their subgenres are identifiable by the characteristics they use. For example, Doris Wishmans Let Me Die A Woman contains elements of both shock documentary and sexploitation. Although they featured lurid subject matter, exploitation films of the 1. They were generally cautionary tales about the alleged dangers of premarital sexual intercourse and the use of recreational drugs. Examples include Marihuana 1. Reefer Madness 1. Sex Madness 1. 93. Child Bride 1. 94. Mom and Dad 1. 94. She Shoulda Said NoAn exploitation film about homosexuality, Children of Loneliness 1. Biker filmseditIn 1. The Wild One, starring Marlon Brando, was the first film about a motorcycle gang. A string of low budget juvenile delinquent films featuring hot rods and motorcycles followed in the 1. The success of American International Pictures The Wild Angels in 1. Other biker films include Motorpsycho 1. Hells Angels on Wheels 1. The Born Losers 1. Angels from Hell 1. Easy Rider 1. 96. Satans Sadists 1. Roger Cormans Naked Angels 1. The Sidehackers 1. Nams Angels 1. 97. C. C. and Company 1. Stone 1. 97. 4 and Mad Max 1. Ozploitation. BlaxploitationeditBlack exploitation films, or blaxploitation films, are made with black actors, ostensibly for black audiences, often in a stereotypically African American urban milieu. A prominent theme was African Americans overcoming hostile authority The Man through cunning and violence. The first example of this subgenre was Melvin Van Peebles Sweet Sweetbacks Baadasssss Song, and others are Black Caesar, Black Devil Doll, Blacula, Black Shampoo, Boss Nigger, Coffy, Coonskin, Cotton Comes to Harlem, Dolemite, Foxy Brown, Hell Up in Harlem, The Mack, Mandingo, Shaft, The Spook Who Sat by the Door, Sugar Hill, Super Fly, The Thing with Two Heads, Truck Turner, Willie Dynamite and Cleopatra Jones. The 1. 97. 3 Bond film Live and Let Die uses blaxploitation themes, and Quentin Tarantinos Jackie Brown and Scott Sanders Black Dynamite are modern homages to this genre. Cannibal filmseditCannibal films are graphic, gory movies from the early 1. Italian and Spanish moviemakers. They focus on cannibalism by tribes deep in the South American or Asian rainforests. This cannibalism is usually perpetrated against Westerners that the tribes held prisoner.